Richard Walter’s The Whole Picture
The UCLA Master of Arts in Screenwriting formula on story, character, dialog and description. Click Here to view trailer.
View ArticleRichard Walter’s Reader’s Backflip: Fine-Tuning Your Script
How to ensure your screenplay stands out in the reader's stack. Click Here to view trailer.
View ArticleMichael Hauge’s Grabbing the Reader in the First 10 Pages
Create opening scenes that draw readers into the world you’ve created. Click Here to view trailer.
View ArticleMichael Hauge’s Crafting Powerful Movie Scenes
How to use action, description and dialogue to craft dynamite movie scenes. Click Here to view trailer.
View ArticleKarl Iglesias’s Writing for Emotional Impact
Use emotion to create a "WOW" feeling in every page of your screenplay. Click Here to view trailer.
View ArticleKarl Iglesias’s Crafting Vivid Description for Emotional Impact
How to craft description that immerses the reader in a visual experience. Click Here to view trailer.
View ArticleCynthia Whitcomb’s Writing a Great Movie Opening
As a writer who’s sold over 70 feature-length screenplays, Cynthia Whitcomb knows about creating page-turning scripts—namely, that the first ten pages are the deciding factor in whether your script...
View ArticleSculpting the Page (5-DVD Set)
5 DVDs Getting Your Script Ready for a Dynamite Read Refining every line in your screenplay so the reader says "Consider"
View ArticleKarl Iglesias’s Writing For Emotional Impact Master Class (9-DVD Set)
9 DVDs How to Use Emotion to Enhance Every Aspect of Your Screenplay $400 Full-Day Course Based on Karl's Popular UCLA Course
View ArticleAll 80 DVDs — Screenwriting Masters Course
80 DVDs from the Screenwriting Expo DVD Series A Masters in Screenwriting for the Price of One College Course
View ArticleRobert Flaxman’s Seducing the Studio Reader
“Robert Flaxman is quite simply the Rolls Royce of screenplay analysts.”—Creative Screenwriting Magazine “Best seminar I took all weekend”…”Remarkable!”…”Great presentation”…”Great. Dry sense of...
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